As you may know, Patrick is a featured author on Zester Daily, has a long history reviewing and chronicling the American wine scene, and is putting the finishing touches on a long anticipated review of the origin and growth of the Rhone Ranger movement in California. More than simply a critic, Patrick offers a thoughtful approach to examining the "who, what, where, when and why" of wine.
Today, we turn the table on Patrick and ask him for some of his own whats, wheres, and whys! Please look out for Patrick's upcoming book as well as his work on Zester Daily.
Snooth – Which came first a passion for writing or a passion for wine?
Patrick: I was a writer first, of fiction and poetry. Writing as a career kept me poor and lean, and in restaurants for employment...
Photo courtesy Zester Daily
Snooth: What was your epiphany moment with wine? Do you remember the wine that sparked your imagination and do you remember what first steps you took in pursuit of your newfound passion?
PC: There have been several, but this is one of them.
Snooth: The current generation of aspiring wine writers faces a new paradigm with many wines now priced out of the reach of most people and fewer professional writers to act as role models. What advice would you give to someone who aspires to fill your shoes?
PC: As for general advice – don’t quit your day job. Few can actually make a living doing this work. But beyond this, I would say that one’s impressions are only valid if they are in the service of a story larger than yourself; your impressions of Chateau Fancypants Merlot aren’t useful without context. The best wine writing isn’t about wine; it’s about writing and telling stories.
Snooth: Do you look back and see that there has been a golden age for wine or are we in a golden age for wine now?
PC: It’s hard to imagine a better market in the world than this one – larger, more diverse, buyers and consumers both always seeking the edge, what’s new, what hasn’t been tried before – so yes, in that sense, we’re in the golden age.
I also think that the twilight of Robert Parker’s influence may usher in a new age of heterogeneity of product, of styles, of tastes, of interests.
Snooth: Do you believe in the notion of the “American palate”? Why or why not?
PC: That a percentage of consumers have the same “palate”? Or that some consumers are predisposed to American wines? I’m sure both can be argued to an extent but I’m not sure it’s germane. Feel free to elaborate on what you mean; clearly I’m missing something.
Snooth: What will the next breakout variety or region be?
PC: I’m thinking that Croatia and other traditional continental wine regions are due for their day in the sun after Austria, Slovenia, Hungary. Thrilling traditions being established in the Aegean.
Snooth: What wines are you drinking more of lately?
PC: Beaujolais. I think the wine world would be a much happier place if only people drank more Beaujolais and less Bordeaux (figuratively, literally). Italian whites of every stripe are coming up, a lot. And, just to be contrarian, I’m drinking more American Chardonnay. It’s not something I used to be able to claim, but there are enough good ones out there – from the Sonoma Coast, from Mendo, from Santa Rita, from Oregon – that I’m constantly surprised by how much more interesting they are from five or 10 years ago – when I ran from the stuff. Now I’m approached with a glass and I’m like, hey, what you got for me?
Snooth: What wines are you drinking less of lately?
PC: Monolithic Cabernet.
Snooth: What is your desert island wine and what would you want to pair with it?
PC: I’m not a huge fan of this question – there are simply too many wines out there and I have too many moods to limit myself to one. But I can’t really be expected to live without Champagne. For reds, a close second, absolutely anything from Italy made with Nebbiolo.
Snooth: What was the last wine that reminded you how special wine can be?
PC: Actually anything that’s made well can bring this to mind. Anything that reflects an attention to detail, balance and harmony. Anything that stops me from whatever I’m doing and demands my attention, that delivers the unexpected.
By contrast, the little wines from France and Italy that are gaining currency from indigenous varieties that are cheap and charming and defiantly unprofound, from the Loire, from the Veneto, from weird little corners of Piedmont: they are the repositories of small wonders, and wonderful for recalibrating your sense of wine’s simpler pleasures.